We will explain the role of agents, managers, and executives. This class will be very heavy on guests from the business, both behind and in front of the camera. We will have guest casting directors, writers, editors, directors, etc.
You will be watching for production look and elements, watching for elements: DPs, writers, costumers, actors, executive producers, production designers, editors, casting directors, sound engineers, etc. This will include your personal research as you will be required to watch every week a film or television show with produciary eye. We then move onto the creative aspects of production. We will then focus on sales tools from creative show bibles to tone reels.
Film production how to#
We will then proceed to the art of pitching: knowing how to sell your show is fundamental to getting your film/TV show produced. Why are you the one who must tell this story. In this class, we will begin with the passion: where ideas come from and the Who, Where, What, When and Why Now.Why You. Why do you want to tell stories, what kind of stories do you want to tell and how do you pitch those stories. Learning to be a producer starts with a journey of self-discovery. It is an immense job and in the world today it is essential to be knowledgeable of the process. So how do we do this? This course will be delving into it item by item. In this class, we will study each section and build all of these pieces upon the spine of your own individual projects. It is imperative that writers, directors, and producers learn the Art of Producing. We put all the elements together and we are responsible for holding it together. We are many times the one that begins the process, nurtures it, develops it and builds it.step by step. “What exactly is it you do?” A producer is the VISIONARY of the project. What is Producing? My family and friends often ask that question.
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